This collection of short stories, first published in 1975, was Ian McEwan’s first work—and a winner of the Somerset Maugham Award in 1976. Many of these stories explore the difficult boundary between childhood and adulthood, interspersed with themes that encompass sexual perversion and the grotesque aspect of the human condition.
Ian McEwan’s Somerset Maugham Award-winning collection First Love, Last Rites brought him instant recognition as one of the most influential voices in literature today.
Taut, brooding, and densely atmospheric, the stories here show us how murder can arise out of boredom, perversity from adolescent curiosity, and how sheer evil might be the solution to unbearable loneliness.
While McEwan does not fit the "horror" genre, make no mistake the work here is as horrifying--and frankly terrifying--as anything you’ll find written by Clive Barker or Stephen King. McEwan’s work is finely crafted with a lyricism and an intensity that compels us to confront our secret kinship with what repels us.
First Love, Last Rites was McEwan's first published book and is a collection of short stories that in 1976 won the Somerset Maugham Award. A second volume of his work appeared in 1978. These stories--claustrophobic tales of childhood, deviant sexuality and disjointed family life--were remarkable for their formal experimentation and controlled narrative voice. McEwan's first novel, The Cement Garden (1978), is the story of four orphaned children living alone after the death of both parents. To avoid being taken into custody, they bury their mother in the cement of the basement and attempt to carry on life as normally as possible. Soon, an incestuous relationship develops between the two oldest children as they seek to emulate their parents roles. The Cement Garden was followed by The Comfort of Strangers (1981), set in Venice, a tale of fantasy, violence, and obsession. The Child in Time (1987) won the Whitbread Novel Award and marked a new confidence in McEwan's writing. The story revolves around the devastating effects of the loss of a child through child abduction. Readers may know McEwan's work through these and other books, or more recently through his novel, Atonement, which was made into a major motion picture.