Ian McEwan’s Somerset Maugham Award-winning collection First Love, Last Rites brought him instant recognition as one of the most influential voices in literature today.
Taut, brooding, and densely atmospheric, the stories here show us how murder can arise out of boredom, perversity from adolescent curiosity, and how sheer evil might be the solution to unbearable loneliness.
While McEwan does not fit the "horror" genre, make no mistake the work here is as horrifying--and frankly terrifying--as anything you’ll find written by Clive Barker or Stephen King. McEwan’s work is finely crafted with a lyricism and an intensity that compels us to confront our secret kinship with what repels us.
Now a PBS Masterpiece movie starring Benedict Cumberbatch.
The Child in Time shows us just how quickly life can change in an instant. Stephen Lewis is a successful author of children’s books. It is a routine Saturday morning and while on a trip to the supermarket, Stephen gets distracted. Within moments, his daughter is kidnapped and his life is forever changed.
From that moment, Lewis spirals into bereavement that has effects on his relationship with his wife, his psyche, and with time itself: "It was a wonder there could be so much movement, so much purpose, all the time. He himself had none."
Colin and Mary are lovers on holiday in Italy, their relationship becoming increasingly problematic as they become increasingly alienated from one and other. They move from place to place in this foreign land but seemingly without aim or purpose and more, seemingly bored and without attachment.
Then they meet a man named Robert and his wife, Caroline, who is crippled. Colin and Mary seem happy for the diversion--happy to meet another couple that takes the focus of off them (off of each other) for a while. Things become strange (and stranger yet; one could say horrific) when they attempt to leave: Robert and Caroline insist that they stay with them for a while longer.
While Mary and Colin indeed rediscover each other in ways during this time--an erotic attraction to each other that was below the surface--they also find that their relationship/friendship with Robert and Caroline takes turns that are likewise erotic and violent in nature. A pervasive dread runs through this novel, leading to the terrible climax that no reader could predict. Absolutely in the key of McEwan, without match in the genre, and a very worthwhile read.