Richard Matheson (1926-2013) was a prolific speculative fiction author and screenwriter who wrote novels, short stories, movie screenplays, and scripts for television. He is perhaps best known for I Am Legend, a novel that was translated to the silver screen twice-once starring Charlton Heston, and once starring Will Smith. His screenplay The Incredible Shrinking Man, based on a prior novel, won the Hugo Award in 1958. Several other novels of Matheson's have been adapted to film, including What Dreams May Come, A Stir of Echoes, Duel, and Hell House. The movie version of Duel, based on a Matheson short story of the same name, was directed by Steven Spielberg. He is also known for writing dozens of episodes for The Twilight Zone, including the iconic "Nightmare at 20,000 Feet," and several popular Star Trek episodes, including "The Enemy Within."
In addition to the Hugo Award, Richard Matheson was the recipient of the World Fantasy Award for Life Achievement (1984) and an Edgar Award for a teleplay written for The Night Stalker. He was inducted into the Science Fiction Hall of Fame in 2010.
Prolific screenwriter and genre novelist Richard Matheson has long maintained an interest in all matters relating to parapsychology, telepathy, ESP and other paranormal activity. His brief and elegantly printed new volume amounts to a lightly fictionalized history as well as quick, evocative episodes of paranormal activity from Greek antiquity all the way through renowned American psychic Edgar Cayce.
Most of the episodes in this book depict the famous seers, mediums and performers of the nineteenth-century, whose feats Matheson clearly admires. Margaret and Kate Fox, aged ten and seven, in 1848 convinced their parents and many other Americans that they were in touch with ghosts in a haunted house. (Matheson notes that the adult Margaret recanted, explaining how she herself produced the ghosts’ mysterious rapping noises: he believes the recantation fake, arranged by the sisters’ enemies.)
Civil War-era medium Nettie Colburn instructed President Lincoln to visit his troops; Matheson thinks she channeled the deceased statesman Daniel Webster. New England mediums "Mrs. Leonard and Mrs. Piper" underwent elaborate tests in an effort to prove that their psychic connections were in fact genuine; William James, for one, was impressed. Harry Houdini used his great stage-magic to unmask a bevy of psychic frauds; Matheson describes some, then discusses what he believes are genuine paranormal experiences that are linked to Houdini.
Matheson’s afterword repeats his confident claims that the powers he describes are very real and he pleads for a serious study of them. Fans of parapsychology or of Matheson’s other works should enjoy this lively exploration of great topics that inform the genre and have become legendary.
The work The Link began as a 557-page outline that Richard Matheson wrote for a proposed twenty-hour ABC mini-series in the late 1970s. The ABC executives asked Matheson to shorten the series into seven hours but after Matheson had written three hours of the series, the two parted company. Matheson’s original vision could not be condensed without destroying the essence of the plot and characters. Here in The Link is the original outline, in narrative form, in publication for the first time.
The story follows Robert Allright as he explores his own demons as well as those of psychics past as he also struggles to decipher his father’s dying wish to explore an archeological dig in Arizona. Allright’s only clue is the mystifying crystal that his father believes is the key to a great discovery.
