Kurt Vonnegut is a unique voice in the American canon—a writer whose works are hard to categorize, often straddling the space between literature and science fiction, and filled with cutting satire and dark humor. Like Mark Twain before him, Vonnegut's reputation and impact on American writing and reading will continue to grow steadily and increase in relevance as new insights are made.
Vonnegut was born in 1922 in Indianapolis, and studied at the University of Chicago and the University of Tennessee. In the Second World War, he became a German prisoner of war and was present during the bombing of Dresden. This experience provided inspiration for his most successful and influential novel, Slaughterhouse-Five. Vonnegut—admired as much for his views and his "Vonnegutisms" as for his publications—wrote extensively in many forms, including novels, short stories, essays, plays, articles, speeches, and correspondence, some of which was published posthumously.
Here for the first time is the complete short fiction of one of the twentieth century's foremost imaginative geniuses. More than half of Vonnegut's output was short fiction, and never before has the world had occasion to wrestle with it all together.
Selected and introduced by longtime Vonnegut friends and scholars Dan Wakefield and Jerome Klinkowitz, Complete Stories puts Vonnegut's great wit, humor, humanity, and artistry on full display. An extraordinary literary feast for new readers, Vonnegut fans, and scholars alike.
The art and craft of writing by one of the few grandmasters of American literature, a bonanza for writers and readers written by Kurt Vonnegut's former student. Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he's given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition. McConnell has outfitted us for the journey, and in these 37 chapters covers the waterfront of how one American writer brought himself to the pinnacle of the writing art, and we can all benefit as a result.Kurt Vonnegut was one of the few grandmasters of American literature, whose novels continue to influence new generations about the ways in which our imaginations can help us to live. Few aspects of his contribution have not been plumbed--fourteen novels, collections of his speeches, his essays, his letters, his plays--so this fresh view of him, written by a former student, is a bonanza for writers and readers and Vonnegut fans everywhere.
For this first-ever paperback edition of If This Isn’t Nice, What Is?, the beloved collection of Kurt Vonnegut’s campus speeches, editor Dan Wakefield has unearthed three early gems as a sort of prequel—the anti-war Moratorium Day speech he gave in Barnstable, Massachusetts, in October 1969, a 1970 speech to Bennington College recommending "skylarking," and a 1974 speech to Hobart and William Smith Colleges about the importance of extended families in an age of loneliness.Vonnegut himself never graduated college, so his words of admonition, advice, and hilarity always carried the delight, gentle irony, and generosity of someone savoring the promise of his fellow citizens—especially the young—rather than his own achievements.Selected and introduced by fellow novelist and friend Dan Wakefield, the speeches in If This Isn’t Nice, What Is? comprise the first and only book of Vonnegut’s speeches. There are fourteen speeches, eleven given at colleges, one to the Indiana Civil Liberties Union, one on the occasion of Vonnegut receiving the Carl Sandburg Award, and now the anti-war speech he gave just months after the publication of Slaughterhouse-Five, as well as from related short personal essays—eighteen chapters in all. In each of these, Vonnegut takes pains to find the few things worth saying and a conversational voice to say them in that isn’t heavy-handed or pretentious or glib, but funny, joyful, and serious too, even if sometimes without seeming so.