This 1877 sequel to Malcolm begins where the first volume of the doublet left off, at Lossie House in Cullen’s fictionalized Portlossie. Soon thereafter Malcolm travels to London to rescue Florimel from the harmful influences of duplicitous friends who do not have her best interests in mind. Kidnapping her out of London, Malcolm’s and Florimel’s return to the north coast of Scotland brings to a stirring climax the divergent threads of mystery and intrigue woven through this triumphant literary tapestry. It is a classic Victorian romance, complete with rogues, inheritances, castles, and of course true love. Of The Marquis of Lossie, Michael Phillips says, “Escaping a common pitfall of sequels not measuring up to the level of excellence of their predecessor, MacDonald crafts an equally engaging, and in some ways an even heightened dramatic crescendo to Malcolm’s story. With the setting so altered, this is a spectacular creative achievement.”

This shorter fairy tale “Double Story” (by which title it was also published), tells the story of spoiled Princess Rosamond, and a mysterious wise woman whom she meets in the forest, and who continues to come to her in different guises which the princess does not always recognize. Considered by some as one of MacDonald’s “short stories” rather than a novel, this edition includes MacDonald’s insightful essay, “The Fantastic Imagination.” This edition of The Wise Woman for The Cullen Collection is unedited.

MacDonald's final “novella” of a scant 22,000 words was viewed as so insignificant at the time of its release in 1898 that it never appeared in book form in the U.K and is omitted from many lists of MacDonald’s books. Though appearing in magazine form in Britain, its only book edition was published in the United States. For those with eyes to see, however, it reads as an autobiographical retrospective of the beginning of MacDonald’s own writing life. Though revealing a poignant final glimpse of MacDonald's waning energy and craft, the significance of its portrait of a struggling youthful author is delightful. Shortly after its writing, what appeared to be a stroke silenced the pen of this remarkable literary genius and man of God. Included in this new edition of Far Above Rubies is Ronald MacDonald’s memorable portrait of his father from 1910, From A Northern Window.